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Marketing Roadmaps

Susan Getgood

Boston “Bomb Scare” Resolution

February 6, 2007 by Susan Getgood

"We understand now that in today’s post-Sept. 11 environment, it was reasonable and appropriate for citizens and law enforcement officials to take any perceived threat posed by our light boards very seriously and to respond as they did." – Turner Broadcasting Statement

Katie Paine has a post this morning summing up the resolution of the whole Turner/Interference/Aqua Teen mess as "Boston 2 Aqua Teen 1 Turner 0"  — Boston gets $2million in the settlement from Turner and Interference, more people have heard of the show, and Turner will come out fine.She’s less sure about Interference, the agency that came up with the idea, but she thinks even they might come out okay in the end.

I agree with her assessment, but am still bothered by the ethics of the whole thing. If the goal of the campaign was to expose more people to the TV show, it had not achieved the objective until the "explosion" last Wednesday. From what I have been able to tell, folks certainly saw the critters in Boston and the other cities, but it sounds like many were taken as souvenirs. Hard to spread the word about something if people are taking the adverts back to their dorm rooms. In fact, if the goal was to reach out to the natural audience for the show, those that already recognized the character, then the logical place to put the devices would have been colleges, universities and so forth.

Not I-93. Yet, the agency specified just those sort of places — overpasses, bridges and the like. Why? Was it simply because those were visible spots, or did they perhaps have a clue of what MIGHT happen if a device was placed on a key and highly visible piece of transportation infrastructure? Or were they just stupid? We will never know for certain.

We also can’t really be sure if the agency realized what was going on in the early afternoon on Wednesday and told the performance artists who placed the signs to keep quiet. Waiting about 3 hours before informing the authorities. The young men and their friends say yes. The agency denies. At this point it doesn’t really matter.

What we do know is that the first device reported and detonated Wednesday morning was placed on Monday night, not three weeks ago. And we know that it took a public emergency in Boston for the word to start spreading.

Posts mentioning "aqua teen"

We know, or we should, that it was much better for the authorities to respond as they did, than it would have been to ignore a potentially dangerous situation. Hard as it is for me to read about  the comics making fun of Boston, I’d much rather be hearing that than reading about the deaths caused from a bomb exploding in a subway or train station. It happens.  Madrid 2004 and London 2005. Tom Menino may go over the top, but it doesn’t make the marketing campaign itself any less irresponsible.

That’s the ethical issue: what is the responsibility of a marketer to understand the potential effects of the campaign. Not just the goal we set, but the unintended consequences. Where do we draw the line between the responsibility of the marketer to understand and avoid negative effects, and the fact that the response to a marketing campaign is really out of our control. We tell a story and hope it gets the response or action we intended. But there are no guarantees, and the people have all the real control. We just think we do 🙂

In the case of Aqua Teen,  Turner and Interference should have known better. Even many folks who make fun of Boston for the level of response admit that.

If we want to be responsible marketers, we need to fully understand how our products and campaigns will affect the people exposed to them. If our campaigns will be seen by more than the intended or natural audience, we had better be sure that we are communicating clearly. It isn’t sufficient to say, well they just don’t get it, or that isn’t really for them, or whatever the excuse, if there is a potential for harm.

I leave you with the irony. Although there’s a lot of Aqua Teen buzz these days, the Globe reports:

"Though the Cartoon Network received considerable attention after the scare, there appears to have been no short-term payoff. Viewership for the first "Aqua Teen" episode to air after the incident was down 100,000 viewers, compared to the night before, then only rebounded to its average rating the following night, according to Nielsen Media Research, which monitors television viewership."

CODA (added Feb 11): Head of Cartoon Network resigns over Aqua Teen mess. (sources: Boston Globe print edition and John Cass)

Tags: boston bomb scare, Turner Broadcasting, Aqua Teen, guerilla marketing, viral marketing, Cartoon Network

Filed Under: Viral Marketing

A class act: Radley

February 2, 2007 by Susan Getgood

A few years ago, when I was travelling back and forth to the UK on a regular basis, I discovered Radley bags.

Radley manufactures a line of fine leather goods, and its symbol is the Scottish Terrier, which regular readers know is the dog breed I own. Over the years, I have purchased a number of bags, wallets and accessories through the one distributor I could find that will actually ship to the US, Leathershop UK. From whom I have always received impeccable service.

A month or so ago, the company asked me to participate in a market survey. Clearly, they are thinking of coming to the US, to which I say YES! The quality of their bags matches any of the mid-price US manufacturers (Coach, Kate Spade) and I was happy to participate.

They offered a gift, which I immediately forgot about. Imagine my surprise when it arrived today and far from being a cheap trinket, it was a keychain from the regular line, retail value fifteen British pounds.

Well done, Radley. I will continue to purchase your products through Leathershop, and I hope you come to the US soon.

Tags: Radley, Scottish Terrier,  Leathershop.co.uk, Leathershop uk

Filed Under: Marketing

Viral Marketing…not: Boston Bomb Scare

January 31, 2007 by Susan Getgood

Placing electronic devices with magnetic lights under bridges and overpasses  is probably not the brightest marketing move, wouldn’t you say? Well, apparently the Turner Broadcasting Network (Time Warner) thought differently. They did just that as a national promotion for one of their Cartoon Network adult cartoons.

As a friend emailed me this afternoon, if they gave a Darwin Award for marketing, these guys would get it.

What WERE they thinking? Ooops. I guess they weren’t.

At least nine different suspicious packages placed throughout Boston, including the first one that was detonated near I-93 this morning, caused the shutdown of the city’s major roadways and subway lines. Emergency responders, bomb squad, police, you name it, were called to respond to this potential disaster. Only to learn that it was a network stunt….

Apparently, similar devices have been placed in New York, Los Angeles, Chicago, San Francisco, Philadelphia, Atlanta, Seattle, Portland, Oregon and Austin, Texas, and they’ve been there for about three weeks. I’m not going to get into why they haven’t been discovered before today, but I am at a loss to explain why the TV network thought this was a good idea.

We have to take our shoes off to go through airport metal detectors and can’t bring water from home on the plane. And they thought it was a good idea to put suspicious looking boxes near bridges, waterways, overpasses and medical centers?

I would not be surprised if the State of Massachusetts sued to recover costs. Not to mention possible criminal charges. From Governor Deval Patrick’s statement:

"I am deeply dismayed to learn that many of the devices are a part of a marketing campaign by Turner Broadcasting. This stunt has caused considerable disruption and anxiety in our community. I understand that Turner Broadcasting has purported to apologize for this. I intend nonetheless to consult with the attorney general and other advisors about what recourse we may have."

Folks, this isn’t viral marketing. It is just sick.

Coverage: MarketWatch, Reuters

UPDATE Feb 1, 10:15pm: Lots of commentary on this subject today. I thought about doing another post but decided to just tack it on here. Check out John Cass, KD Paine and Todd Defren for further local perspective.

From this article (thanks Katie), apparently Interference, the agency who planned the campaign, was aware of the situation by the early afternoon, yet Turner did not contact the authorities until 4:30pm.  That’s a big window of time and angst for the residents of Boston. Article also answers the question about why it took so long for someone to spot these "devices." Apparently the one that set the police response off — underneath Interstate 93 in Sullivan Square in Charlestown — wasn’t placed until overnight Monday, which is only a day in place before being reported, not 2-3 weeks.

There is now an apology on the Interference Web site; no idea when it went up. Too little too late?

More to come on this very interesting viral marketing story.

Update February 2, 8:10pm – Article in this morning’s Globe indicates that in 6 of the 9 other cities, the devices weren’t in transportation "danger zones." And even with the list of where the things should be, the authorities can’t find most of them, unless they look on eBay I suppose.

I also want to make a general comment to the folks who are making fun of the Boston reaction as over the top. It is very important to not confuse the issues. Just because Mayor Menino has a tendency to chew scenery and over-react, does NOT make the actions of the marketers behind this mess any less irresponsible. Or the response of the law enforcement officials wrong. They did what they are supposed to do. Just because one device was harmless does not make the next one harmless. Until you know where they are from, everything is suspicious. Harmless looking things can be dangerous. Terrorists have been putting bombs in dolls and balls longer than I can remember.

More reaction: David Parmet, the Net Savvy Executive

Tags: Boston bomb scare, viral marketing, Time Warner, Turner Broadcasting Network, Cartoon Network

Filed Under: Viral Marketing

A spectators-eye view of Sundance: Interview with blogger/artist Evelyn Rodriguez

January 29, 2007 by Susan Getgood

(long post)

I was lucky enough to have a long chat last week with writer/artist/saloniere/marketer Evelyn Rodriguez about her visit to the 2007 Sundance Film Festival.

Evelyn used to live in Salt Lake City, and attended the Festival many times as a spectator. She now resides in San Jose, California, and described this visit — her first since 2003 — as the first time she attended the Festival as an artist.

Among her many projects, she is working with Click.TV, an online video company that develops tools for video annotation, commentary and social interaction that make it easier to search and engage with segments of interest. "For instance, in a day-long congressional hearing, you can jump straight to the part that’s on the bill that you’re tracking. And then join in on an online interaction discussion at that timestamp about the issue."

She went to Sundance to find out what was up in the world of film, and most particularly video. She hoped to meet other people who were exploring the alternative medium of digital video. Even a low budget film costs at least $1 million, she said, but video is a different, more accessible world, with fewer barriers to entry. "I met people that teach a No Budget Film School, people working on social microfinancing to finance films, and people helping to film-makers self-distribute their films. I walked out of the X-Dance film, "Chasing the Lotus" ready to buy a DVD. There’s got to be a way to capture that impulse."

She was somewhat surprised that when she told friends and acquaintances that she was going to Sundance, many replied they "don’t go to Sundance anymore" because it is too commercial. While she agrees that the Festival has changed — for example, she doesn’t remember quite so many corporate lounges, which now effectively take over the Main Street storefronts during the Festival, she felt that Sundance still had something for everyone, from the avant garde to the nearly mainstream. And the fact that so many companies want to be associated with the Festival adds value; she cited two examples that enhanced her Festival experience: the Krups Café co-sponsored with Salt Lake Roasting Company at New Frontiers on Main which showcased video art installations, multimedia performances, panels, and a digital microcinema, and the Adobe/HP equipment demonstrations/workshops.

This year, Sundance has really embraced social media — Second Life, YouTube and iTunes among other things. We talked at length about whether more people are or will now be aware of independent film as a result of blogs and other social media. Or I wondered, is it more a case of the "long tail" chasing itself?

Evelyn suggested, and I think she’s on the right track, that perhaps in our age group (we are both in our early 40s), the same people are likely to be engaged with social media and interested in independent film, but in younger groups, say mid-20s, social media like YouTube et al are reaching a much broader, diverse audience. The fact that a film is classified independent may not even matter for the younger folks, who will just recognize that they saw something cool that they liked on a friend’s MySpace page or in a YouTube clip.

Arin Crumley of "Four Eyed Monsters" grassroots indie fame was videoblogging Sundance this year on behalf of the Festival. While behind camera taping the Social Networking panel, he added how he’d engaged with Flickr, YouTube, MySpace, blogging and everything at his disposal to promote the video. Said Evelyn: "They even had visitors to their website vote for cities to show the film assuming if they had critical mass they could arrange a screening. One of the six ‘cities’ was Second Life. I myself watched "Strange Culture" at the New Frontiers microcinema while the film was simultaneously premiering in Second Life." She said the Q&A with the director and with subject Steve Kurtz of Critical Art Ensemble alternated between the live audience and the SL theater avatars.

Evelyn and I also discussed how social media is starting to change HOW we will see films. The only way for an artist to get his or her work seen won’t be the local movie theater, whether it is the local 10 screen Cineplex or an art house. Only 120 films last year got theatrical release across the nation. Distribution business models are on the cusp of change. Online alternatives, the growth of digital video and the possibility of interaction with the story are blurring the lines between artist and audience. Stories won’t necessarily have a beginning, middle and end, or even a script. For example, David Lynch’s INLAND EMPIRE was shot 100% in digital video, and the script was written scene-by-scene as the taping unfolded. And Lynch is distributing it himself.

You also don’t need a film school degree or expensive equipment for decent digital video. Evelyn believes that we will see more and more "regular folks" using video to tell interesting, impactful stories. While making a documentary film has been a lifelong goal, it didn’t seem feasible to her until now. Soon, she’ll embark on a digital video project that will start shooting in post-Katrina New Orleans in late February. She’s also exploring the idea of communities, colonies, ensembles, collectives, and Salons of artistic creation — bringing dancers, theater directors, writers, filmmakers, videographers, sculptors, social media visionaries and all sorts of people together in real as well as virtual space, to see how they stretch one another and push the edges of what’s possible in social art and social video. "Online video feels like the earliest days of cinema to me. When people were so enthralled by its novelty, as one audience member said at the Web 2.0 panel, that even a clip of someone sneezing was engaging. So these are pretty exciting times to be exploring this medium."

And in the end, isn’t that what Sundance is really all about? Inspiring us to share our creative vision with the world through the medium of film and moving pictures.

To read more from Evelyn, check out her blog, Crossroads Dispatches.

3-30-08 Comments closed due to spam attacks

Tags: Sundance, Backstage at Sundance, Evelyn Rodriguez, long tail

Filed Under: Uncategorized Tagged With: Sundance

Other places I blog

January 28, 2007 by Susan Getgood

In addition to Marketing Roadmaps, I write on a few other blogs — some for clients, some simply as a contributor.

As I mentioned last week, a lot of my effort over the past week, both as writer and researcher, has gone into HP’s Backstage at Sundance blog. Among the highlights of the blog, exclusive live performances from Simon Townshend, Alexi Murdoch, and a duet with Glenn Hansard and Marketa Iglova, stars of the Sundance award-winning film Once. The Festival is over but there will be a few more posts over the next week to wrap up the story for the readers.

Robert French, professor at the University at Auburn, created the Marcom Blog three years ago for marketing and PR professionals to interact with and advise the students in his PR and Marketing Communications classes. I’ve been a contributor for about a year or so now, and I love the comments from the students, both on the Marcom blog and here on the Roadmap. I posted there today about the biggest value from blogging.

I also post semi-regularly on Multiple Choice, the blog of client Software Secure and do a couple of newsletters for clients.

Which is why sometimes the Roadmap goes a little silent 🙂  I’m writing, just not here.

—————–

On a completely other note, Mary, Battlestar Sunday just isn’t the same as Battlestar Friday, is it?

Tags: Backstage at Sundance, Sundance, marcom blog

Filed Under: Blogging

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